Blue John – New Partnerships

In this post Derbyshire Museums Manager, Ros Westwood, introduces a new partnership with Treak Cliff Cavern and Buxton Artclubs Artbox, supporting Made in Derbyshire.

In one of my earliest conversations with my mother-in-law she told me how much she loved Blue John, the unique blue, purple, yellow and white stone from just two mines above Castleton in the Hope Valley.  So she is very envious that I look after the Buxton Museum collection. The ornaments which bring ‘oohs!’ and ‘aahs!’ from visitors, include the silver mounted milk pail – surely a sugar bowl? –  dated 1803, and the narrow window attributed to John Tym from the middle of the 19th century, as well as unworked specimens, some huge boulders and many small hand specimens (not all of which are pretty!)

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Silver-mounted ‘milk pail’, made from Blue John, dated 1803

So if anything is ‘Made in Derbyshire’ it must be Blue John. Formed within the limestone, Blue John is a fluorite. It is not very hard (only 4 on Moh’s Scale of hardness).  The cubic crystals grow in veins through which the distinctive purple and blue layers alternate with white and yellow, providing zig- zag stripes of various intensities. This colour combination makes it attractive for ornaments and jewellery despite being quite a fragile material. There are many ideas of how the colour comes into the stone, whether this is impurities within the fluid, the introduction of hydrocarbons or the occurrence of radioactivity. None really satisfy the mineralogists, yet!

A piece of unworked Blue John from the museum collections

A piece of unworked Blue John from the museum collections

Recently, the museum was offered the opportunity to commission an artwork as part of the Made in Derbyshire campaign. What better suggestion then to explore a commission of worked Blue John to be included in the museum’s new displays.  I invited Vicky Harrison of Treak Cliff Cavern with Gary Ridley and Jack Mosley to discuss the possibilities while looking at the museum’s collection, particularly the unworked Blue John, and then artist Caroline Chouler -Tissier and I went over to Treak Cliff Cavern. It was one of those amazing autumn days and the view as we walked up to the cavern of the Hope Valley was spectacular, in the warm October sunshine.

The view from Treak Cliff Cavern

The view from Treak Cliff Cavern

The view from the workshop was equally captivating, but soon we were deeply interested in learning how Blue John is worked, taking a friable material and making it into artefacts as thin as glass.

In the workshop

In the workshop

Caroline and I were taken through the Cavern, and chanced to see the amazing Witch that flies through it as well as the newly discovered Ridley vein of Blue John, named for Gary Ridley. Meanwhile we discussed our ideas and plans.

To celebrate several events – Made in Derbyshire; Collections in the Landscape and even as an advance 125th birthday present for Buxton Museum (in 2018), the museum is commissioning two exciting new pieces of worked Blue John for the collections.  Importantly, much of the work will be made by people under 25, a chance to learn about geology, engineering, art, and something unique to Derbyshire, all at one time.

Jack has been asked to turn a new chalice for the museum, made from the Ridley vein.  Jack has been working Blue John for three years, and this exciting commission will mean his work will be in the museum collections for all to see. We hope to film him making of it.

Jack at work

Jack at work

Meanwhile we will work with members of Buxton Artbox Artclubs to make the first Blue John window for over 100 years, following in the creative imagination of John Tym.  The Artbox members will visit the cavern and help in the workshop to select material for slicing and polishing. Supported by their artist-in-residence, Caroline, they will suggest ideas of what the finished window may look like. Here at the museum we will look in the vaults at some of the specimens which outwardly look very dull which may find a new life in the window

This will be an exciting creative programme with lively input from many young people. Its early days yet, and everyone is very excited to get things on their way. We will keep you updated through the Collections in the Landscape blog as the work takes shape.  We may need your help to wet-and-dry the Blue John slices – Vicky tells us its takes a long time, but it could be good fun!

 

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Time to Take Two

Last weekend Take Two opened, a new exhibition displaying paintings and drawings from the Derbyshire County Council collection. This show explores relationships between some of the pictures at the museum, by looking at two works by the same artist or images of the same view by two different artists.

Buxton Montage by Zoe Badger (2010)

Buxton Montage by Zoe Badger (2010), winner of the Derbyshire Open Friends Purchase Prize

I joined the team at Buxton Museum and Art Gallery this summer and have spent the last 6 weeks planning the exhibition. I’ve been helped on this journey by brilliant art student and artist in the making Rachel Hesketh, who has assisted with everything and anything including locating pictures in the store, choosing works for display, researching information about artists and taking photographs. The exhibition hang was a real team effort as we carried paintings from store to gallery, agonised over the lay out and resized labels.

Part of the Old Bath, Matlock Bath by Mary Mitford c.1770

Part of the Old Bath, Matlock Bath by Mary Mitford (c.1770)

One of the remits for Take Two was that the work was ‘made in Derbyshire’ and it has been wonderful to have the opportunity to show some paintings that won’t have been seen for a while alongside some more recent acquisitions. Also on display are two works by Sheffield artist, Eddy Dreadnought, completed as part of his residency at Tarmac Lafarge’s Tunstead Quarry in summer 2014, which complement some of the industrial paintings from the museum collection.

The Peak by Gwen Tarbuck (2000) Winner of the Derbyshire Open Friends Purchase Prize.

The Peak by Gwen A Tarbuck (2000), winner of the Derbyshire Open Friends Purchase Prize

Look out for a few other treasures including a copy of Ebenezer Rhodes’ Peak Scenery, or the Derbyshire Tourist (1818-1823) – illustrated by F L Chantrey, whose engraving of Castle Rock is also on show – and husband and wife artistic duo, Samuel and Ann Rayner, whose lithograph and engraving on Ashford Black Marble are displayed side by side.

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Matlock Bath, engraving on Ashford Black Marble by Ann Rayner (c1840)

I hope this exhibition inspires you to get out and about around Derbyshire and the Peak District, and look forward to sharing more with you soon. Take Two is showing at Buxton Museum and Art Gallery until Saturday 7 November 2015.