Pictures in the Landscape returns

This week, as well as being the Derbyshire schools half-term holiday, the Discovery Days festival is being celebrated across the Derwent Valley Mills World Heritage Site. When we were asked to join in, we wanted to find a way to use the museum collections in a different setting.  We don’t have many objects that relate to the mills themselves but we do have some wonderful images of the local area.


Cromford, taken from the Bridge. Watercolour by William Day, 1789.


Cromford has been attracting visitors since the 1700s, when artists came to paint the landscape and tourists came to admire the industrial innovations taking place at the mills. The images in the museum collection span the period from then until the 20th century, with the landscape reproduced in paintings, drawings, engravings and photographs.


Engraving, published by Rock and Co, 1852

This is also a revival of a project that first took place in Dovedale in 2010 as part of the Derbyshire Literature Festival. This time round, we found 16 images of Cromford to reproduce and they have been hung along the short section of the canal from Cromford Wharf to Leawood Pumphouse, a route which is easily accessible and much used by local residents, day visitors and tourists.


Pictures in the Landscape: Cromford, 22-30 October 2016

We hope everyone will enjoy seeing some historic views of Cromford along the canal during Discovery Days – and, if they haven’t been before, take the opportunity to visit Cromford Mills and High Peak Junction at either end to make it a real day of discovery.

Buxton Museum and Art Gallery would like to thank our friends at Derbyshire Countryside Service, the Derwent Valley Mills World Heritage Site and Cromford Mills for their help with all our Discovery Days events.

Dovedale, Revisited

Dovedale, Revisited

On a dark, wintery day in November, Anna and I went to Dovedale to try and tackle the problem of what to include in our app. The day reminded us how changeable the Derbyshire landscape can be. In the morning the weather was crisp but cold, I even tweeted about it:

It may be cold but that doesn’t stop us @BuxtonMuseum! Today we go to #Dovedale to think of content for our new app #collectionslandscape

 However, the afternoon soon took a turn for the worse but true to Buxton Museum form we didn’t let that hold us back. Armed with our waterproofs (or not, in Anna’s case) we waded through the flooded path, the nearly submerged stepping stones, and onwards into Dovedale.

The first challenge - navigating the flooded footpath.

The first challenge – navigating the flooded footpath.

The main aim for going to Dovedale was to see how we could link items from our collections with the landscape, and to see what the landscape was like at the points where we have objects. It soon became obvious that we needed to think about this area a little differently. A large amount of our Dovedale collections are either fossils or artwork – how do we tie those in to the landscape in a way that will make it exciting for visitors and families? We decided games and activities would be the most interesting method to use.

Dovedale is traditionally most well-known for its dramatic rock formations. The first rocks we reached were Dovedale castle. One of our colleagues had already suggested renaming the rocks in Dovedale as an activity, so we thought we would give it a go. Anna decided that Dovedale Castle actually looked like a gorilla and chimp sitting together (I couldn’t see it). Next we arrived at the Twelve Apostles. From Lover’s leap these rocks look quite threatening and I didn’t think the ‘Twelve Apostles’ was suitable, perhaps they could be more suitably called ‘The Guardians’ as it looks like they are hiding a big secret. Neither of these areas are well covered by our collection so we moved swiftly on.

Me at Lover's Leap noting down our activity ideas.

Me at Lover’s Leap noting down our activity ideas.

As we descended from Lover’s Leap and made our way to Church Rocks and Reynard’s Cave we were reminded of the tale of Dean Langton, who fell to his death in 1786 whilst cavorting up the hillside with Miss De La Roche. His horse sustained only minor injuries. In full it is a great story and it could work well as audio on our app. Next up were Church Rocks and Tissington Spires. This area was a favourite of artists’ and we have a lot of paintings and prints of here. Could we inspire people to take a photo or make a drawing and share it with us? We would love to see how others view the landscape too, not just 18th Century artists!

Reynard’s Cave is certainly my favourite spot in Dovedale and I have memories of scaling the path up to the cave with ease. Sadly those days are long gone and it is more like a crawl now, but the cave is still a spectacular sight. This is a ‘must –have’ location for our app as Reynard’s Cave is the only site with archaeological remains in Dovedale. We could also get phone signal & 3G here so we can potentially ask more of our app at this point. Anna suggested having a game linking to the archaeology of the cave.

Phone signal! 3G!

Phone signal! 3G!

After battling up stream we arrived at the Straits, a very narrow and overgrown section of the walk. There was such a different feel here that it seemed like we were adventurers. The plant life in this narrow stretch is particularly abundant and you are so close to it – could we have a plant identification activity here? This complements the original purpose of the Dovedale which was to be a nature conservation spot. This ethos is still upheld by the National Trust to this day.

                Pickering Tor and Ilam Rock was our penultimate stop of the day. Here the valley really opens out and you can start to see other areas around Dovedale. This spot was a popular area for activities like fishing and picnicking and with such great views it’s not hard to see why. According to J.W. Jackson, one of Buxton Museum’s main collectors, an old Irish woman used to live in the base of Pickering Tor. The path also splits at this point and offers walkers the chance to cross the river and go up into Hall dale, or continue on to the Dove Holes. We opted for the easier route to Dove Holes.

Me at the Dove Holes.

Me at the Dove Holes.

 The Dove Holes was our final stop. Like a dark set of eyes in the landscape, the caves eyed us suspiciously as we walked closer. Anna and I liked the sense of mystery attached to this spot. We both thought that it would be interesting if there was a story attached to this area, perhaps a sinister tale. We are currently in the process of tracking down stories of the area, however, if you happen to know of any then please get in touch.

At this point we were interrupted by a Tawny Owl telling us it was time to go home. The light was fading fast and we decided the owl was right, it would be a good idea to head back. It was a productive walk and we can only hope that the pilot app is as interesting as our walk through Dovedale. Thanks to Anna for all the photos and for capturing my double chin so nicely. We highlighted a lot of different points in our walk but for our pilot app we will not be using them all. When it is up and running, we would really like to know what works and what doesn’t, as well as if there is anything else you would like to be included. We hope to be trailing the Dovedale part of our app in February half-term and will be looking for volunteers – sign up to our blog or follow us on Facebook and Twitter to here all the latest on the Collections in the Landscape project.

Please note: we would not recommend walking in low-light levels or poor weather conditions, even on good surfaces, as it is potentially very dangerous and you could easily incur an injury. Both Jess and Anna are experienced walkers, are familiar with the area, and were fully aware of the risks before setting out.